Our workshops are designed to both stand on their own and to compliment the classes and technique taught at the studio. The lessons taught in the workshops are immediately implemented and expanded on in classes. Workshops are either taught by Berg Studios instructors, or guest artist teachers invited to host workshops for our students.

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Workshops Event Calendar

The Art & Craft of Solo Performance with Ann Noble

Ever wanted to tell your story? Either on the stage or online? And ever been daunted by exactly how do it? In this new era of the content creator, there has never been a more necessary time to become familiar with the special set of skills this kind of performance requires.

Solo Performance can be one of the most rewarding–as well as challenging–experiences for an actor. It requires additional skills not usually practiced by the working actor: speaking to the audience, speaking to “imaginary people”, and the art of quick and seamless character transition.

But often the most challenging is the actual writing of the script. There appear to be “no rules” to Solo Performance storytelling, but when studying the work of such giants as Whoopi Goldberg, John Leguizamo, and Lily Tomlin, and Anna Deavere Smith,
several principles are revealed that can shine a light on the methods and madness of what can be a most extraordinary and cathartic endeavor.

With over twenty-five years experience as a professional actor and playwright/new media writer, Ann Noble has worked extensively as a solo performer and has created a workshop that walks the actor through both disciplines of acting and writing specifically for this medium; the result is a toolbox which will give you the confidence to take your story out into the world, where it belongs.

Ann Noble is an actor, playwright/screenwriter, director, arts educator and solo performer with over thirty years professional experience. She is also a beloved instructor here at Berg Studios. Originally from Chicago and co-founder of the Irish Theatre Company (formally Seanachai), she graduated from Northwestern’s Theatre School and trained at the Yale School of Drama’s “Midsummer in Oxford” program. She has worked all over the country, particularly in Chicago, L.A. and NYC, and her work has been produced/filmed all over the globe. She currently teaches scene study at Berg Studios as well as at Antaeus Theatre (where she is head of casting, as well as a long-time ensemble member); she also teaches Shakespeare, poetry and storytelling to incarcerated youth and former gang members at various institutions here in L.A. including Homeboy Industries. As a director, she has worked with Warriors For Peace, Antaeus Theatre, as well as for the L.A. Museum of the Holocaust’s annual theatre program, “Voices of History”. As a solo performer, her work began at N.U. in Dietrich: The Blue Angel; she has since performed at other college campuses and venues in NYC and Chicago, as well as at D.C.’s Capitol Fringe Fest in Stanley Ann: The Unlikely Story of Barack Obama’s Mother. The piece was also workshopped at the Kirk Douglas and the Powerhouse, and ran at L.A.’s LGBT Center where she also worked personally with Lily Tomlin and Jane Wagner on the ensembled re-boot of Search For Signs of Intelligent Life in the Universe. Ann is currently workshopping a brand new one-woman play, Wednesday’s Child, written by Wendy Graf, directed by Laura Gardner. She also serves as a chaplain in the L.A. County jails.

Fridays and Sundays 1 – 4 PM PST

October 2nd, 4th, 9th, 11th, 16th, 18th, 23rd, 25th.


Cost: $250 student price (you must be currently enrolled in a scene study class to receive the student discount) / $300 non-student price

Chris Bayes’ Physical Comedy Master Class

Christopher Bayes is back! Don’t miss this exciting opportunity!

We are excited to once again welcome Christopher Bayes back to the studio for his Online Masterclass in Physical Comedy – Clown to Commedia!

Christopher is one of the world’s leading instructors in the world of Clown and Physical Comedy and is Head of Physical Acting at the Yale School of Drama, where he has been teaching for the last 20 years. He is known internationally as a world-class contributor to clown, commedia dell’arte, and what he terms “the pandemonium arts.” His past students include Mahershala Ali, Jessica Chastain, Adam Driver, Oscar Isaac and many more.

We are thrilled to have Christopher Bayes back with us to share his insights and unique perspective with the studio. This one is not to be missed!

Workshop Description: Masterclass in Physical Comedy – Clown to Commedia

In this intensive workshop, you will begin the awe-inspiring and often messy journey in search of your clown…or what is uniquely funny about YOU! You will embark on adventures in the hilarious and raucous world of commedia dell’arte, where you will explore universal archetypes of the hilarious.

The pursuit of the clown is the search for the authentic, playful self and its unique relationship to its comic world. Your clown is your comic nature. It cannot be crafted; it must be discovered. Once discovered, it will stay with you always because it lives in your personal sense of play. Everybody has a clown in them, and thousands of characters can come from that clown. We will pursue the clown in earnest exploring all of its messy and hilarious beauty. Once connected, you will move on to explore archetype and transformation through commedia dell’arte. Through the specificity of these archetypes, you will learn to bring physical expression and find more freedom and ownership to your work. You will walk away with a deeper physical understanding of your talent, your true vulnerability, and your unique comic perspective.

Christopher Bayes is currently the Head of Physical Acting at the Yale School of Drama, and faculty member at the Juilliard School. He has received numerous awards and grants including: a Jerome Foundation Travel/Study Grant, a General Mills Foundation Artist Assistance Grant, and both a Minnesota State Arts Board Fellowship Grant and a Career Opportunity Grant. He is a 1999/2000 Fox Fellow.

For more information, you can find Chris’ bio on our website.


Tuesdays and Thursdays
October 13th, 15th, 20th, and 22nd.
10 AM – 1 PM PST


Student Price: $350
Non-Student Price: $400
There are limited spots available. Please call or email the office if you are interested in signing up.

Alexander Technique in Acting with Kristof Konrad: Berg Studios October 2020

In October, due to popular demand, we will once again be offering the opportunity to study with one of the foremost instructors of the Alexander Technique, Kristof Konrad, in a six week, online intensive, called “Alexander Technique in Acting”.

We are keeping the number of students to 15 so there are very limited spots for this exciting workshop. Signups are on a first-come, first-served basis.

Kristof teaches Intensive Acting in Film and Alexander Technique Workshops in New York, Los Angeles, Milan, Berlin, Toronto, and Vancouver and at his studio here in Los Angeles, Alexander Techworks. In the U.S., he has taught at the Larry Moss Studio, the Howard Fine Studio, (LA and Melbourne, Australia), and recently worked with the artists of the Royal Shakespeare Company and the Cirque Du Soleil. Past and current students include Forest Whitaker, Kenneth Branagh, Cobie Smulders,

The study of the Alexander Technique is required at the finest drama conservatories around the world, including the Yale School of Drama, The Juilliard School, ACT, the London Academy of Music and Dramatic Art and the Royal Academy of Dramatic Art.

The Alexander technique is a gentle approach that aims to re-educate the mind and the body through a series of movements so the body uses muscles more efficiently. Actors trained in the Alexander Technique consistently feel more confident and free — physically, vocally, and creatively — to do their best work. The physical and imaginative freedom that can be discovered through the Alexander work can be a vital part of the actor’s craft.

WORKSHOP DESCRIPTION: Alexander Technique in Acting

All communication starts with the body. It is the point of origin for the voice, emotional life, and physical activity. It also creates and communicates meaning to the audience – our physical actions and responses are interpreted by the onlooker –and performers need to be in charge of this process.

In this workshop, actors develop an awareness of their psychophysical habits that cause tension and interfere with performance. By using principles of the Alexander Technique you will deepen the connections between your body, breath, and voice. Movement inspires this dynamic relationship by integrating all the parts of the actor’s instrument.

Connecting to the body through awareness with the Alexander Technique (getting out of your head)
Freeing impulse and response patterns
Finding the breath and rhythm of the character
Recognizing the force of habit
Improving breath coordination and vocal quality
Improving our movement by learning to organize body relationships
Understanding Means and Ends
Making clear choices of intention
Infusing direction in our thinking and movement
Applying the Alexander Technique to monologues, sonnets, songs, and scenes
Learning to develop characters physically (if I believe your body, I’ll believe your character)

was born in Poland, trained as an actor at the National Dramatic Academy in Warsaw, Poland, the Fersen Studio in Rome, Italy, and Larry Moss in the U.S. While in Poland, he studied and worked with theater and film masters JERZY GROTOWSKI and ANDRZEJ WAJDA. In the USA he worked with directors FRANCIS LAWRENCE, KENNETH BRANAGH, RON HOWARD and ROLAND EMMERICH. His credits include HOMECOMING, HOUSE OF CARDS, RED SPARROW, INTELLIGENCE, ANGELS AND DEMONS, HOTEL CALIFORNIA, INDEPENDENCE DAY, SCORPION, NIKITA, SCANDAL, BURN NOTICE, OPERATION SAMUM, ALIAS, THE AGENCY, JAG, E- RING and many others. Kristof has taught for the BERLIN INTERNATIONAL FILM FESTIVAL, GENERATION CAMPUS – MOSCOW, VERBIER FESTIVAL& ACADEMY in Switzerland and UBS VERBIER ORCHESTRA. He is teaching Intensive Acting in Film and Alexander Technique Workshops in New York, Los Angeles, Milan, Berlin, Toronto, and Vancouver. In the U.S., he has taught with Jean-Louis at the LARRY MOSS STUDIO, HOWARD FINE STUDIO, LA and Melbourne, Australia, and recently worked with the artists of the ROYAL SHAKESPEARE COMPANY and the CIRQUE DU SOLEIL. Past and current students include FOREST WITAKER, KENNETH BRANAGH, COBIE SMULDERS, JOBETH WILLIAMS, ERIC DANE, and SHARON LAWRENCE.

When: October 8th, 15th, 22nd, 29th
November 5th, 12th

Thursdays 11 AM to 1 PM PST

Where: Online!

Cost: $250 student price (you must be currently enrolled in a scene study class to receive the student discount)
$300 non-student price

The Art and Technique of the Selftape w/ Gregory Berger: October

Berg Studios is excited to announce a 3-day intensive (Sep. 19th, 20th, 26th,) Self-Tape Workshop, online, with Gregory Berger-Sobeck, former faculty member of The Yale School of Drama, and private coach to Lupita Nyong’o (Oscar Winner), Riz Ahmed (Emmy Winner), Winston Duke, and many others.
Gregory will lead you on an exploration of the practical and creative application of on-camera acting and how to translate that to your self-tapes, merging the imagination with the technical. The fact of the matter is that the British and Australians are dominating the American market. Their advantage is that those actors are trained in a deep artistic tradition and are able to bring that training right into the technical aspects of working in front of the camera. Gregory believes it’s long past time to level that playing field!
Using the same technique and experience that he brought to his on-camera acting class at The Yale School of Drama, Gregory will help you reveal your own powerful imagination and make it palpable, visceral, and transferrable to the rigors and restrictions of creating a self-tape. 
All three days will include practical “dos and don’ts,” the technical and artistic requirements of creating effective self-tapes, as well as rigorous and creative script analysis. In this workshop you will also:
  • Tape and submit a self-tape prior to the first class.
  • Receive personal and detailed instruction from Gregory.
  • Be tasked with recording additional self-tapes between sessions using the techniques Gregory will have taught you.
  • Discuss the technical requirements of creating a self-tape such as background, lighting, wardrobe, and the use of a camera or phone.
The objective of this workshop is to release the actor’s imagination through technique, cultivating authentic behavior on camera. Gregory encourages the actor to illuminate the text with bold provocative choices rather than illustrating the mundane, or predictable. Working this way allows the actor to move past any blocks, or fears, enabling the actor to truly reveal their private selves on any audition tape..

ABOUT THE INSTRUCTOR: Gregory Berger-Sobeck is a graduate and former acting faculty member at the Yale School of Drama, in addition to teaching bi-coastally both in Los Angeles and New York. Additionally, he has taught workshops all over the world including in London, Paris, Sydney, and Tahiti.

Gregory’s many regular private coaching clients include Oscar winner Lupita Nyong’o (Us, Black Panther), Emmy winner Riz Ahmed (The Night Of), Winston Duke (Us, Black Panther), and Portia Doubleday (Mr. Robot) among many others.
Mr. Berger opened The Berg Studios in Los Angeles in 1998, where he is the artistic director and master acting teacher. Berg Studios alumni have been Emmy Award Winners, Emmy Award Nominees, acted on Broadway and have had multiple series regular and guest star roles on television. Mr. Berger has also been voted Best Acting Class, Best Classical Class, Best Monologue Coach and Private Coach by Backstage Magazine.

Prior​ to Yale​ he trained at The Circle in the Square Theatre in New York City. He has studied with such legendary teachers as Paul Mann, Michael Howard, Kim Stanley, Nikos Psacharopoulos and Earle R. Gister. His New York stage credits include Come Back to the Five and Dime Jimmy Dean, The Flowing Peach, Romeo and Juliet, The Admiral Bashful, The Shrewing of Blanco Posnet, Molly, Andrew After Dark, Much Ado About Nothing, Faust, and The Colonization. Regional credits include work at the Yale Repertory Theater and The Yale School of Drama: A Midsummer Night’s Dream, King Lear, King John, Measure for Measure, Three Sisters, and A Ride Across Lake Constance, to name a few. Among his directing credits are Dolores and Sisters at the Company of Angels and the west coast premiere of John Ford Noonan’s POPPS.

To find out more about Berg and Berg Studios please visit our website.


October 17th, 18th, Saturday and Sunday, from 11 am to 3pm PST

September 24th, Saturday, from 11 am to 4 pm PST


Online! (Zoom)


Students : $350
Non-Students : $400

To receive the student discount, you must be enrolled in a Studio Technique (scene study) class at Berg Studios for the month of September 2020
In order to secure a spot in this amazing workshop, contact the office (M-F 10am to 5pm PST) to put down a deposit (50% of tuition) today. Due to the nature of this workshop, deposits are non-refundable. Based on the structure of this workshop, the purchase of individual days is not possible.

Yat Malmgren Movement Psychology with James Kemp

We are thrilled to welcome back London Academy of Music and Dramatic Arts’ (LAMDA) instructor James Kemp for an intensive workshop of Yat Malmgren movement psychology.

James was selected by Yat Malmgren to teach this work, and taught alongside him at the famed Drama Centre in London. He is recognized internationally as the leading instructor of this technique. James’s past students include Michael Fassbender, Tom Hardy, and Emilia Clarke.

This work is generally taught at institutions abroad like LAMDA, Drama Center in London and NIDA. A partial list of actors trained in the Yat Malmgren technique include Anthony Hopkins, Cate Blanchett, and Gwendolyn Christie.

We are very proud to be one of a very small number of institutions in the United States currently offering this discipline.

There is a lot I have to be grateful for as an actor
but I would not have much if not for the inspirational
teaching of James Kemp. His use and teaching of
the “Yat Method” changed my view of what acting could
be both as an observer and a participant

– Emilia Clarke (Mother of Dragons)

Here is a brief video with James discussing the technique:

About the Yat Malmgren Technique:
This work is based upon the work of two pioneers of 20th Century performance research: Rudolf Laban and Yat Malmgren. In these classes you will be introduced to a theory and practice which breaks down all expressive movements into their constituent parts and links them to the deep seated psychological impulses which underpin them. From these building blocks ‘character’ can be constructed, either from scratch as a creative act, or from a close analysis of an already existing script as an act of accurate and imaginative interpretation.

This work provides an accurate and complete way of describing human behavior and its dramatic representation, giving a practitioner the tools to transform their bodies and minds at will into the shape, form and thoughts of a new character, either subtly or profoundly. It provides a way to create nuanced and detailed characterizations, and to access inner sensations ripe for use in dramatic circumstances, and otherwise hard to stimulate.

Workshop Description: Character Analysis & Movement Psychology/The Yat Malmgren Technique

At the heart of the work is the concept that we think with our bodies. Our bodies are revelatory of our inner workings, our psyche, thoughts and feelings. Therefore if we could learn to harness and manifest our inner sensations and express them through our bodies we would be able to share every inner desire, want, thought or emotion with a watching audience. And in turn that audience would be able to ‘read’ our thoughts, and character, and be thoroughly engaged in our dramatic lives.
By the end of the presentation you will be looking at the world through new eyes, being able to ‘read’ the movements of those around you for meaning, and to create physically expressive characterizations which both excite the imagination and serve the writers’ intentions.

About the Instructor:
James Kemp trained at Drama Centre London, subsequently pursued an acting career which encompassed a number of long running West End shows. In 1998 James was invited back to Drama Centre London to work alongside and assist Dr. Yat Malmgren in the teaching of Movement Psychology (inspired by the pioneering work of Rudolf Laban), and upon the retirement of Dr. Malmgren in 2001 he inherited his work and further developed this field of study and practise through workshops for Stage Centre, Israel; the International Workshop Festival; Caravanserai Acting Studio; Beit Zvi School Of Performing Arts; Beit Lessin Theatre, Tel Aviv; LAMDA and as ‘Laban Consultant’ at the Young Vic.

His many successful students have included: Michael Fassbender, Tom Hardy, Emilia Clarke, Santiago Cabrera, Stephen Wight, Jaime Murray, Gwendoline Christie, Morven Christie, Damien Molony, Tamla Kari, Jodie McNee, Lucy Briggs-Owen, Bradley James, Ruta Gedmintas, Rolan Bell, John Dagleish, Lily Cole and many others. His students have won acting honours from: BAFTA, Venice International Film Festival, British Independent Film Awards (BIFA), Laurence Olivier Awards, London Evening Standard Film Awards, London Evening Standard Theatre Awards, London Film Critics Circle Awards, Los Angles Film Critics Association Awards & National Board of Review Awards, amongst many others. Their Nominations have included European Film awards, Screen Actors Guild awards & Golden Globes awards plus many others.

Workshop Details:

DATES: Tuesdays and Thursdays 10:30 AM to 1:30 PM PST

September 15th, 17th, 22nd, 24th, 29th
October 1st.

FEE: $350 students / $400 non-students


Acting the Song: A workshop for singers and non-singers alike

Berg Studios is very excited to offer an incredible new workshop with celebrated Broadway actress Joanna Glushak called Acting the Song: A workshop for singers and non-singers alike.

In today’s market, performers who are not primarily considered singers are often hired because they can act the lyric and convey the emotional quality of a song. Starting in September, this 6-week course will meet twice a week, and focus on interpretation of a song and storytelling. It will build confidence and audition techniques, which will broaden your marketability.

This class is not about singing notes. It is designed to teach people, of any level of confidence, how to perform a song. Each student will receive one-on-one attention in bi-weekly, 3 hours sessions for a total of 36 hours! At the end of the course you will leave with a warm-up, an audition song, and a great sense of confidence and accomplishment!

Workshop Description: Acting the Song: A Workshop for singers and non-singers alike. Prior to the first class, the students will receive a class by class breakdown, an outline of the techniques use in the class, and resources for finding songs and the recorded music to accompany you!

Over the course of the six weeks you will have Joanna’s personal attention and guidance while she provides you with following:

Overview of the course.

Explanation of the techniques used.

Video examples of famous “non-singers” in action.

Evaluation of your vocal range. A comprehensive warm-up.

Weekly assignments.

Help choosing a song and how to interpret it with imagination and a focus on storytelling.

A safe space to build your confidence and sing your heart out!!

ABOUT THE INSTRUCTOR: Joanna Glushak has had a long and celebrated career on and off Broadway, as well as countless appearances in TV and film. Most recently she can be seen as Mrs. O’Tool in the Amazon series “The Marvelous Mrs. Maisel”.

BROADWAY: All Leading Roles in“A Gentleman’s Guide to Love And Murder”, “War Paint”, “Sunday In The Park With George”,“Les Miserables”,“Hairspray”,”Urinetown” ”Rags”,”Welcome To The Club”,“Conversations With My Father”,”The Sweet Smell Of Success”.

OFF BROADWAY, Joanna just finished a sold out run of “Gloria: A Life” about the life of Gloria Steinem, directed by Diane Paulus, Joanna has work at many of the best off broadway theatexrs including Manhattan Theater Club, NY Shakespeare Festival, Playwrights Horizons, and Circle in the Square.

NEW YORK CITY OPERA: Petra in “A Little Night Music”, Cleo in ”The Most Happy Fella”.

NATIONAL TOURS: Mrs.Dumaurier in “Finding Neverland” Frau Blucher in “Young Frankenstein The Musical”,”Xanadu,The Musical”,”Evita””Fiddler On The Roof” Joanna has performed all over the country in many of the best regional theaters. She is a graduate of the Yale School of Drama.

When: Mondays and Fridays, 2:00-5:00PM PST. 

September 7th, 11th, 14th, 18th, 21st, 25th, 28th

October 2nd, 5th, 9th, 12th, 16th.

Where: Online!

Cost: $350 Student price $400 Non-student price

These prices work out to between $10 and $11 per class, an incredible deal for this type of personal instruction!

Intermediate Voice and Speech w/ Tessa Auberjonois at Berg Studios August/Sept!

We are pleased to announce an Intermediate Voice & Speech Class with Tessa Auberjonois begins in August 2020! The class is structured into an eight-class, four-week format that we feel will give our students a great degree of noticeable progress and an even stronger vocal foundation. This class is for those who have taken the introductory class with Tessa AND new students who are already familiar with the Linklater Technique.
Voice and Speech production is a technique that takes time to learn and integrate. Our everyday, habitual patterns of breathing and speaking tend to be very sensitive to factors such as nerves and personal inhibitions.
Over time and with practice, we can use vocal technique to find awareness and learn to use breath, voice, and articulation in a way that can be relied upon to communicate the versatile character choices we make as actors instead of being trapped by the limitations of our own habitual vocal patterns.  
This process is akin to building new muscles at the gym or learning to play an instrument. It takes time and practice before results can be felt and utilized effectively. Therefore, each session builds upon the last as students integrate the technique into new and specific use of the voice, body, and speech. This twice weekly foundation course will teach a voice and speech warm-up, give you an excellent understanding of the mechanics of vocal production (essential for accent work), as well as how to explore text vocally. 


Lesson plan (subject to change)

Week 1: Solidifying and reviewing Body Work, Breath awareness, Touch of sound, and opening the Channel

Week 2: Exploring the resonators – chest, mouth and teeth, triads and connecting the voice to the body

Week 3: Breathing gym, Physical sound exploration

Week 4: Integrating the Upper resonators – Nasal, Mask, Head, Finding unusual organic choices for text

For a long while now, Berg and the instructors here at the studio have worried about a serious lack of vocal training among our students. This lack of training is not just about volume, to be sure. Without the ability to fully utilize their voice, no actor can be counted on to express themselves in the dynamic, creative way our industry demands.

Indeed, the purpose of vocal training, a standard element of all conservatory acting programs throughout the world, is to free the actor’s habitual patterns of tension. This allows the vocal instrument to express character via the actor’s imagination and engage the listener with language written by another, but spoken as our own. Similar to building new muscles at the gym, vocal work takes sustained and intentional practice, which gradually leads to a shift in the actor’s use of their voice as the vehicle of emotion. This class will primarily teach the technique developed by Kristin Linklater, as described in her book Freeing the Natural Voice, and will consist of very active exercise work.

ABOUT THE INSTRUCTOR: Tessa Auberjonois started her voice-over career soon after graduating from the Yale School of Drama and has consistently worked as a voice-over artist while also performing on stage and screen. In 2017 Tessa was nominated for a Behind the Voice Actors award for best featured actress in a television series. She is trained in Linklater Technique and International Phonetics, and has taught Voice and Speech at NYFA, AMDA, Cal Arts, and the Sag-Aftra Foundation. Tessa has been the voice of several national campaigns, including Princess Cruises, Glade, White Castle, FEMA and many others. She’s voiced video games, re-voiced starring roles in feature films with major directors (and signed NDA’s saying she can’t tell you what or who), and narrated audiobooks. For more information, you can find Tessa’s bio on our website.

Tuesdays and Thursdays, 3:00-5:00PM PST. 

August 25th, 27th.
September 1st, 3rd, 8th, 10th, 15th, 17th.


$280 for 8 classes**

**Please note, there are no payment plan options for this workshop. The full tuition must be paid in order to enroll. The price is the same for everybody, whether or not you are enrolled in scene study; there is no student discount. The tuition is equivalent to $35 per class, which is an incredible value compared to the cost of private vocal coaching.

There are limited spots available. Please call or email the office if you are interested in signing up.

Past Workshops

Yat Malmgren Workshops – Beginning & Advanced Sections

On Camera July Worksop with Gregory Berger

Viewpoints Workshop with Alexandra Billing

The Actors Imagination on Film: An on Camera Workshop w/Gregory Berger

Mastering Accents and Dialects with Tessa Auberjonois

Shakespeare Workshop with Rob Clare

Alexander Technique with Jessica Wolf: The Actor’s Instrument

On-Camera Audition Workshop in New York City

Physical Comedy – Clown to Commedia

Voice Acting/Voiceovers