BERG STUDIOS WORKSHOPS
Our workshops are designed to both stand on their own and to compliment the classes and technique taught at the studio. The lessons taught in the workshops are immediately implemented and expanded on in classes. Workshops are either taught by Berg Studios instructors, or guest artist teachers invited to host workshops for our students.
Intro to Voice Over with Tessa Auberjonois: Berg Studios in May/June
Berg Studios is very excited to announce the return of our very popular in-person Introduction to Voiceover Workshop led by professional voiceover artist Tessa Auberjonois.
This is a six-class intensive designed to introduce the actor to this specialized, expanding, and seriously fun aspect of our craft. We will explore the creative process of reading copy and begin to learn to identify the demands and techniques of voice acting for commercials, audiobooks, videogames, and animation.
Students will record on their own using whatever technology and equipment they have available, and we will examine and share knowledge about how to best optimize your resources at home. A microphone is not required, but recording capabilities, even on a smartphone are necessary for the class.
We will discuss the business nitty-gritty of voice-over: where the opportunities are, demos, internet audition platforms, agencies, and technology and equipment for self-recording.
Classes will be held in-person, including one class where all students will record in a professional voice-over studio. You will leave that session with your recording!
Tessa Auberjonois started her voice-over career soon after graduating from the Yale School of Drama and has consistently worked as a voice-over artist while also performing on stage and screen. In 2017 Tessa was nominated for a Behind the Voice Actors Award for best-featured actress in a television series. She is trained in Linklater Technique and International Phonetics and has taught Voice and Speech privately as well as at Berg Studios, AMDA, Cal Arts, LACC, and the Sag-Aftra Foundation. Tessa has been the voice of several national campaigns, including Princess Cruises, Glade, White Castle, FEMA, and many others. She’s voiced video games, re-voiced starring roles in feature films with major directors (and signed NDA’s saying she can’t tell you what or who) and narrated audiobooks. Tessa Auberjonois has appeared on On the Verge, The Affair, Shameless, Lucifer, I’m Dying Up Here, Modern Family, Law & Order(s), ER, How I Met Your Father, and many other shows as well as feature and short films. On stage, she has performed in many classical and contemporary plays Off-Broadway and at theatres across the country such as the Kirk Douglas and South Coast Repertory, Hartford Stage, Yale Rep, and The Shakespeare Theatre of D.C. among others. Awards & Nominations include the 2020 Ovation Award for Best Lead Actress, the 2018 Lunt-Fontanne Award, Best Actress in a play 2017 OC Weekly, Nominated for Best Female Guest Star for a TV Voiced Performance 2018 from Behind the Voice Actors, Sermoonjoy Fund, and Fox Foundation Fellowships, and the Oliver Thorndike Award for excellence in acting upon graduation from The Yale School Drama, where she trained, as well as LAMDA. She has taught and coached voice and speech, dialect and accent work, and voiceover to actors at many programs in LA and privately as well as being currently on faculty at AMDA.
DATE and TIME
5:30 pm to 9:30 pm PST
Monday, May 16th, 23rd
Monday, June 6th, 13th
Sunday, June 19th (this class will be held in a professional recording studio)
Monday, June 20
The Berg Studios Annex
3273 Casitas Ave
Los Angeles (Atwater Village), CA 90039
$350 student rate
$400 non-student rate
To receive the student discount, you must be enrolled in a Studio Technique (scene study) class at Berg Studios for the month of May.
In order to secure a spot in this amazing workshop, contact the office (M-F 10 am to 5 pm PST) to put down a deposit (50% of tuition) today. Due to the nature of this workshop, deposits are non-refundable. Based on the structure of this workshop, the purchase of individual days is not possible.
In-Person Voice and Speech Intensive: June/July at Berg Studios!
This June/July, Berg Studios is excited to announce a new Voice and Speech Intensive taught by the Yale School of Drama’s Joby Earle!
Voice work is a path to bringing our homework into a living, breathing reality. Through a practiced awareness of our breath, voice, and selves, actors can unlock immense performative potential.
Whether it be on set, on location, or in a theater, actors must have ready access to a free and open means of expression.
In this class, we will learn tools to help gently dismantle the psychophysical habits that inhibit our full expression. We will then learn new habits that support our work, ideas, and creativity in any performative medium.
Exercises will be introduced that gently coax tension to release and give us new consciousness of how our own, personal voice works. We will then move to text to see how these new tools can be put to immediate and practical use.
Voice work helps release your performance from the clutches of your conscious control. It lets your passion and talent take over. Through diligence and regular practice, we will experience a free breath, voice, and self while performing.
Workshop Description: VOICE & SPEECH
Class 1: Introduction to Physical Awareness, Anatomy of breathing
Class 2: Re-Approaching Sound
Class 3: Support and Sending
Class 4: Resonation and Amplification
Class 5: Articulation
Class 6: Warm-up/individual text work
Class 7: Warm-up/into individual text work
Class 8: Self-led warm up with coaching, individual text work, closing
For a long while now, Berg and the instructors here at the studio have worried about a serious lack of vocal training among our students. This lack of training is not just about volume, to be sure. Without the ability to fully utilize their voice, no actor can be counted on to express themselves in the dynamic, creative way our industry demands.
Indeed, the purpose of vocal training, a standard element of all conservatory acting programs throughout the world, is to free the actor’s habitual patterns of tension. This allows the vocal instrument to express character via the actor’s imagination and engage the listener with language written by another but spoken as our own. Similar to building new muscles at the gym, vocal work takes sustained and intentional practice, which gradually leads to a shift in the actor’s use of their voice as the vehicle of emotion. This class focuses on relaxation, body and breath work as the foundation for free expression, and will consist of some active floor and movement work.
ABOUT THE INSTRUCTOR: Joby Early has performed at Lincoln Center, Playwrights Horizons, Yale Rep, South
Coast Rep, A.R.T., The Berkshire Theater Festival, The Huntington Theater, Center Theater Group, and The Geffen Playhouse. His television credits include The Blacklist, The Exorcist, and The Good Fight. He holds a BFA from NYU;s
Tisch School of the arts and an MFA from the Yale School of Drama. He has been teaching actors since 2006 and has taught at Columbia, NYU, Yale as well as at the City College of New York. His background as a voice teacher is based on the combined works of Kristin Linklater and Katherine Fitzmaurice as taught by master teachers Walton Wilson and Grace Zandarski. He has also studied with Andrew Wade, former head of voice at the Royal Shakespeare Company
When: Tuesdays and Fridays (please note that June 23rd will be a Thursday class)
1 pm to 3 pm
June, 14th, 17th, 21st, 23rd, and 28th
July, 1st, 5th, and 8th.
Where: The Berg Studios
3245 Casitas Ave
Los Angeles (Atwater Village), CA 90039
Cost: $280 for 8 classes**
Combat and Violence Techniques for stage and on-camera: June at Berg Studios!
Berg studios is excited to welcome back veteran actor and fight choreographer Bo Foxworth for another in-person workshop of stage combat and violence.
One of the tools any well-rounded actor should have in their back pocket is the ability to perform stage violence. Nothing worse than seeing a good Hamlet through 5 Acts only to have him be laughable in the climactic fight scene. Having the basic knowledge and vocabulary of combat means that you can audition for, and accept more highly physical roles, and add those skills to your resume. When you find yourself up for a physical role, you can go into the audition with confidence, and when you accept the role you can tell a story rather than just perform a “fight”.
This class will explore the basic tools that actors should have when faced with a physical altercation in a play or film and is called Combat and Violence because most of what you will be asked to perform won’t necessarily be “combat” but could be falling down the stairs or ripping off your festering toenail.
Understanding how our bodies react to violence and where that strength and power comes from is what we’ll begin to learn. To fall, tumble, slap or be slapped; that is the question. In this class, we’ll learn techniques and perform hand-to-hand combat moves with precision and control yet with strength, power, and the fully committed intention of the character.
We’ll also begin to learn the basics of swordplay focusing on movement, footwork and because we all want to be able to do every show 8 shows a week or multiple takes on set, our focus will always be safety first.
Bo Foxworth: His combat work started while at UCLA where he was a competitive fencer on UCLA’s Saber team ranking 6th in the conference. During that time he began to study with fight coordinator and weapons expert Anthony Delongis learning weapons ranging from swords to bullwhips. He studied with swordmaster Greg Michaels and Broadway fight coordinator Rick Sordelet and had the privilege to workshop with the renowned fight choreographer B.H. Barry. In Los Angeles, he has been the fight choreographer for numerous productions at The Geffen, Antaeus, Theatre of Note, Shakespeare Orange County, and Pasadena Playhouse where he received a 2018 Ovation nomination for fight direction in the production of Belleville.
He is a graduate of UCLA and received his MFA at the Yale School of Drama.
As an actor, Bo has worked in numerous theaters throughout Los Angeles including I.C.T., South Coast Rep, The Pasadena Playhouse, The Fountain Theatre, Shakespeare Orange County (Board Member), The Skylight Theatre, Ensemble Theater Company, La Mirada, Laguna Playhouse, The Geffen, Disney Hall, LATheatreWorks, Boston Court Pasadena, The Hollywood Bowl and A Noise Within where he received two Ovation nominations. He is a proud member of The Antaeus Theatre Company performing in many productions including Cloud 9 in which he was an LADCC and a Stage Raw Best Actor recipient and The Crucible (Ovation nomination). New York and Regional theaters include: The Hit Off-Broadway show As Bees in Honey Drown at the Lucille Lortel, The Century Theater, HERE, The Pearl Theater; The Shakespeare Theater D.C., Vienna’s English Theater, The Long Wharf, Baltimore Center Stage, Playmakers Rep, The Old Globe, The Yale Rep, and many others. He has numerous film and television credits including Law & Order SVU, Criminal Minds, Castle, Modern Family, VEEP, and the HBO movie All The Way with Bryan Cranston
WORKSHOP DETAILS: All participants must be fully vaccinated!
Fridays from 2 to 5 pm PST
June 3rd ,10th ,17th ,24th
Berg Studios Annex
3273 Casitas Ave, #105
Los Angeles CA 90039
The Annex is our second space, just half a block from our main location!
Student Price: $300
Non-Student Price: $350
Please note, to qualify for the student price you must be enrolled in a Studio Technique (scene study) class for the whole month of March.
There are limited spots available. Please call or email the office if you are interested in signing up.
Self-Tape workshop w/ Gregory Berger: Online
Berg Studios is excited to announce a 3-day intensive (April 16th, 17th, and 23rd.) The Art and Technique of the Self-Tape, online with Gregory Berger-Sobeck, former faculty member of The Yale School of Drama, and private coach to Lupita Nyong’o (Oscar Winner), Riz Ahmed (Emmy Winner), Winston Duke, and many others.
Gregory will lead you on an exploration of the practical and creative application of on-camera acting and how to translate that to your self-tapes, merging the imagination with the technical. The fact of the matter is that the British and Australians are dominating the American market. Their advantage is that those actors are trained in a deep artistic tradition and are able to bring that training right into the technical aspects of working in front of the camera. Gregory believes it’s long past time to level that playing field!
Using the same technique and experience that he brought to his on-camera acting class at The Yale School of Drama, Gregory will help you reveal your own powerful imagination and make it palpable, visceral, and transferrable to the rigors and restrictions of creating a self-tape.
All three days will include practical “dos and don’ts,” the technical and artistic requirements of creating effective self-tapes, as well as rigorous and creative script analysis. In this workshop, you will also:
Tape and submit a self-tape prior to the first class.
Receive personal and detailed instruction from Gregory.
Be tasked with recording additional self-tapes between sessions using the techniques Gregory will have taught you.
Discuss the technical requirements of creating a self-tape such as a background, lighting, wardrobe, and the use of a camera or phone.
The objective of this workshop is to release the actor’s imagination through technique, cultivating authentic behavior on camera. Gregory encourages the actor to illuminate the text with bold provocative choices rather than illustrating the mundane, or predictable. Working this way allows the actor to move past any blocks, or fears, enabling the actor to truly reveal their private selves on an audition tape.
ABOUT THE INSTRUCTOR: Gregory Berger-Sobeck is a graduate and former acting faculty member at the Yale School of Drama, in addition to teaching bi-coastally both in Los Angeles and New York. Additionally, he has taught workshops all over the world including in London, Paris, Sydney, and Tahiti.
Gregory’s many regular private coaching clients include Oscar winner Lupita Nyong’o (Us, Black Panther), Emmy winner Riz Ahmed (The Night Of), Winston Duke (Us, Black Panther), and Portia Doubleday (Mr. Robot) among many others.
Mr. Berger opened The Berg Studios in Los Angeles in 1998, where he is the artistic director and master acting teacher. Berg Studios alumni have been Emmy Award Winners, Emmy Award Nominees, acted on Broadway and have had multiple series regular and guest star roles on television. Mr. Berger has also been voted Best Acting Class, Best Classical Class, Best Monologue Coach and Private Coach by Backstage Magazine.
Prior to Yale he trained at The Circle in the Square Theatre in New York City. He has studied with such legendary teachers as Paul Mann, Michael Howard, Kim Stanley, Nikos Psacharopoulos and Earle R. Gister. His New York stage credits include Come Back to the Five and Dime Jimmy Dean, The Flowing Peach, Romeo and Juliet, The Admiral Bashful, The Shrewing of Blanco Posnet, Molly, Andrew After Dark, Much Ado About Nothing, Faust, and The Colonization. Regional credits include work at the Yale Repertory Theater and The Yale School of Drama: A Midsummer Night’s Dream, King Lear, King John, Measure for Measure, Three Sisters, and A Ride Across Lake Constance, to name a few. Among his directing credits are Dolores and Sisters at the Company of Angels and the west coast premiere of John Ford Noonan’s POPPS.
To find out more about Berg and Berg Studios please visit our website.
Cost: Students:$350 / Non-Students: $400
To receive the student discount, you must be enrolled in a Studio Technique (scene study) class at Berg Studios for the month of April 2022.
In order to secure a spot in this amazing workshop, contact the office (M-F 10am to 5pm PST) to put down a deposit (50% of tuition) today. Due to the nature of this workshop, deposits are non-refundable. Based on the structure of this workshop, the purchase of individual days is not possible.
Alexander Technique in Acting with Kristof Konrad: Berg Studios in April
In April, due to popular demand, we will once again be offering the opportunity to study with one of the foremost instructors of the Alexander Technique, Kristof Konrad, in a two-day in-person intensive, called “Alexander Technique in Acting”.
We are keeping the number of students to 16 so there are very limited spots for this exciting workshop. Signups are on a first-come, first-served basis.
Kristof teaches Intensive Acting in Film and Alexander Technique Workshops in New York, Los Angeles, Milan, Berlin, Toronto, and Vancouver, and at his studio here in Los Angeles, Alexander Techworks. In the U.S., he has taught at the Larry Moss Studio, the Howard Fine Studio, (LA and Melbourne, Australia), and recently worked with the artists of the Royal Shakespeare Company and the Cirque Du Soleil. Past and current students include Forest Whitaker, Kenneth Branagh, Cobie Smulders,
The study of the Alexander Technique is required at the finest drama conservatories around the world, including the Yale School of Drama, The Juilliard School, ACT, the London Academy of Music and Dramatic Art and the Royal Academy of Dramatic Art.
The Alexander technique is a gentle approach that aims to re-educate the mind and the body through a series of movements so the body uses muscles more efficiently. Actors trained in the Alexander Technique consistently feel more confident and free — physically, vocally, and creatively — to do their best work. The physical and imaginative freedom that can be discovered through the Alexander work can be a vital part of the actor’s craft.
WORKSHOP DESCRIPTION: Alexander Technique in Acting
All communication starts with the body. It is the point of origin for the voice, emotional life, and physical activity. It also creates and communicates meaning to the audience – our physical actions and responses are interpreted by the onlooker –and performers need to be in charge of this process.
In this workshop, actors develop an awareness of their psychophysical habits that cause tension and interfere with performance. By using principles of the Alexander Technique you will deepen the connections between your body, breath, and voice. Movement inspires this dynamic relationship by integrating all the parts of the actor’s instrument.
Connecting to the body through awareness with the Alexander Technique (getting out of your head)
Freeing impulse and response patterns
Finding the breath and rhythm of the character
Recognizing the force of habit
Improving breath coordination and vocal quality
Improving our movement by learning to organize body relationships
Understanding Means and Ends
Making clear choices of intention
Infusing direction in our thinking and movement
Applying the Alexander Technique to monologues, sonnets, songs, and scenes
Learning to develop characters physically (if I believe your body, I’ll believe your character)